Duration 5600
When blue devils play the butter notes you can't stop watching
Published 14 Jul 2022
Blue Devils 2014 - with a score of 99.65 (flawless) takes over the crowd with some unique music. DCI 2022 vids coming soon :) Original Video: /watch/s81=t&gOvS2NYf9KLf=
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when writing out things like the chromatic triplet line in low brass towards the end, the more correct way to write it would be 2 groups of half note triplets per bar. This would be easier to read as a performer and leaves less room for error as a performer. If you really wanted to have the whole bar split into a the tuplet like it is in this version, then split it into 6-tuplets (hover over entire bar, ctrl+6 instead of ctrl+3 in musescore)
also, forlines, the higher voice always goes to the top of the score. You put the names of the instruments in the right order, but the part writing is split so the euphoniums are playing the 1st parts, then baritone 1 is the middle line and baritone 2 is the low voice. Baritones are almost exclusively going to be written as the top voice and the euphoniums will be lower, since euphoniums speak better towards the middle of the staff with better intonation and control. An experienced dci arranger will always write so that euphoniums are the lowest voice when voicing chords (aside from contra/tuba, obviously) and when there is a unison line in octaves the euphoniums will typically be the lower octave while baritone 1s are the higher octave and baritone 2s can vary depending on the part and arranger
when writing out things like the chromatic triplet line in low brass towards the end, the more correct way to write it would be 2 groups of half note triplets per bar. This would be easier to read as a performer and leaves less room for error as a performer. If you really wanted to have the whole bar split into a the tuplet like it is in this version, then split it into 6-tuplets (hover over entire bar, ctrl+6 instead of ctrl+3 in musescore)
also, forlines, the higher voice always goes to the top of the score. You put the names of the instruments in the right order, but the part writing is split so the euphoniums are playing the 1st parts, then baritone 1 is the middle line and baritone 2 is the low voice. Baritones are almost exclusively going to be written as the top voice and the euphoniums will be lower, since euphoniums speak better towards the middle of the staff with better intonation and control. An experienced dci arranger will always write so that euphoniums are the lowest voice when voicing chords (aside from contra/tuba, obviously) and when there is a unison line in octaves the euphoniums will typically be the lower octave while baritone 1s are the higher octave and baritone 2s can vary depending on the part and arranger
when writing out things like the chromatic triplet line in low brass towards the end, the more correct way to write it would be 2 groups of half note triplets per bar. This would be easier to read as a performer and leaves less room for error as a performer. If you really wanted to have the whole bar split into a the tuplet like it is in this version, then split it into 6-tuplets (hover over entire bar, ctrl+6 instead of ctrl+3 in musescore)
also, forlines, the higher voice always goes to the top of the score. You put the names of the instruments in the right order, but the part writing is split so the euphoniums are playing the 1st parts, then baritone 1 is the middle line and baritone 2 is the low voice. Baritones are almost exclusively going to be written as the top voice and the euphoniums will be lower, since euphoniums speak better towards the middle of the staff with better intonation and control. An experienced dci arranger will always write so that euphoniums are the lowest voice when voicing chords (aside from contra/tuba, obviously) and when there is a unison line in octaves the euphoniums will typically be the lower octave while baritone 1s are the higher octave and baritone 2s can vary depending on the part and arranger